Frank Bergon’s newest work is a thoughtful exploration of the ways that memories of random childhood events become unexpected revelations about life in the West. In many senses this project is a personalized version of Two-Buck Chuck & The Marlboro Man where Bergon explored the ways that a multiethnic and multiracial society shaped, and continues to shape, the day-to-day lived realities of the residents and communities of the San Joaquin Valley. Bergon’s latest book creation, however, is more elegiac in tone, paying tribute to ranching and farming lives that are disappearing under suburban and exurban sprawl, industrial farming, and white-collar job growth.
 

Frank Bergon’s astonishing portrayals of people in California’s San Joaquin Valley reveal a country where the culture of a vanishing West lives on in many twenty-first-century Westerners, despite the radical technological transformations around them. All are immigrants, migrants, their children, or their grandchildren whose lives intertwine with the author’s, including several races and ethnicities: Chicanos, Mexicans, African Americans, Italians, Asians, Native Americans, Scots-Irish descendants of Steinbeck’s Okies, and Basques of the author’s own heritage.

Bergon presents a powerful array of rural and small-town Westerners who often see themselves as part of a region and a way of life most Americans aren’t aware of or don’t understand, their voices unheard, their stories untold. In these essays, Westerners from the diverse heritage of the San Joaquin Valley include California’s legendary Fred Franzia, the maker of the world’s best-selling Charles Shaw wines dubbed “Two-Buck Chuck,” and Darrell Winfield, a Dust Bowl migrant and lifelong working cowboy who for more than thirty years reigned as the iconic Marlboro Man. Their voices help us understand the complexities of today’s rural West, where Old West values intersect with New West realities. This is the West (and America today)—a region in conflict with itself.